
Ho Ho Ho! Santa Claus is coming to town!在這個滿溢歡笑的溫馨季節,以最純真的心情,傳遞繽紛的祝福與驚喜,應用字體並融合創意排版與玩趣元素,為聖誕妝點一抹俏皮的魔法。
本期內容圍繞「聖誕節」為主題,提供字體應用上的參考。
Ho Ho Ho! Santa Claus is coming to town!在這個滿溢歡笑的溫馨季節,以最純真的心情,傳遞繽紛的祝福與驚喜,應用字體並融合創意排版與玩趣元素,為聖誕妝點一抹俏皮的魔法。
本期內容圍繞「聖誕節」為主題,提供字體應用上的參考。
在使用Microsoft Word編輯文件時,為了讓文件維持編輯時的排版樣式,通常我們會採用將檔案轉成PDF的方式做保存。但是,從word透過Adobe Acrobat轉存成PDF時,在存檔是不是有遇過跳出錯誤的log訊息?該怎麼解決?
會出現這樣的log訊息,是因為Acrobat在轉存PDF的過程中,找不到文件中使用的字型。我們以在windows作業系統下,在word文件使用iFontCloud雲端字型服務的情境來做說明,iFontCloud雲端字型服務所使用到的字型,其存放位置並非一般認知的 C:windows/Fonts的目錄中,其與過往將字型安裝在系統上的行為不相同,因此造成Acrobat在轉存PDF時出現找不到字型的情況。
我們以Acrobat有提供的方式,為大家解決這個轉檔問題,簡易的操作2個步驟,使用word的Adobe Acrobat存成PDF就能成功囉!
1. 點選「列印」>「印表機內容」
2. 取消勾選「僅依賴系統資型;不使用文件字型」
取消勾選使用系統字型之後,word使用雲端字型轉PDF就不會出現錯誤訊息log。
備註:此篇文章撰寫時間為2021年5月。不保證未來Adobe Acrobat更新或新版本有支援此功能
[ 文鼎 IN-HOUSE ]結合科技趨勢,文鼎字型全新推出的字體應用專欄 期待與你共同探索設計的新可能 |
本期內容圍繞「端午節」為主題,提供字體應用上的參考
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/Imagine prompt A high fashion photoshoot featuring traditional Chinese zongzi, made from dried green bamboo leaves and tied with hemp rope into triangular shapes, containing a salted egg yolk, glutinous rice, and a small piece of preserved pork, on a tea party table with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style incorporates schlieren photography and Anne Dewailly's techniques, with soft-focus portraits. The image is hyper-realistic, glamorous, insanely detailed, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0--s 50 |
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/Imagine prompt A detailed and glamorous high fashion photoshoot of zongzi, traditional Chinese pack zongzi, on a table set out for a tea party with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50 |
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/Imagine prompt A detailed and glamorous high fashion photoshoot of zongzi, traditional Chinese pack zongzi, on a table set out for a tea party with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. -ar 2:3 --v 6.0 --s 50 |
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/Imagine prompt A detailed and glamorous high fashion photoshoot of zongzi, traditional Chinese zongzi made from dried green bamboo leaves and tied with hemp rope into triangular shapes,on a table set out for a tea party with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50 |
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/Imagine prompt Glamorous high fashion photoshoot of traditional Chinese zongzi, made from dried green bamboo leaves, tied with hemp rope, containing salted egg yolk, glutinous rice, and preserved pork. Set on a table with a Tiffany blue tablecloth for a tea party. Inspired by Wes Anderson's vintage color palette, with schlieren photography and Anne Dewailly's work. Soft-focus portraits, hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50 |
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/Imagine prompt A detailed and glamorous high fashion photoshoot of traditional Chinese zongzi, made from dried green bamboo leaves and tied with hemp rope into triangular shapes, containing a salted egg yolk, glutinous rice, and a small piece of preserved pork, on a table set out for a tea party with a Tiffany blue tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50 |
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/Imagine prompt Detailed high fashion photoshoot of traditional Chinese zongzi, wrapped in dried green bamboo leaves and tied with hemp rope, containing salted egg yolk, glutinous rice, and preserved pork. Displayed on a tea party table with a Tiffany blue tablecloth. Inspired by vintage Wes Anderson color palette, using schlieren photography and Anne Dewailly's work. Soft-focus portraits, hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50 |
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/Imagine prompt Detailed high fashion photoshoot of traditional Chinese zongzi, wrapped in dried green bamboo leaves and tied with hemp rope, containing salted egg yolk, glutinous rice, and preserved pork. Displayed on a tea party table with a Tiffany blue tablecloth. Inspired by vintage Wes Anderson color palette, using schlieren photography and Anne Dewailly's work. Soft-focus portraits, hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50 |
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/Imagine prompt Detailed product photography of a large green square box with 28 embedded small square boxes, floating on water with a mirror-like texture and a layer of fog. Background includes a green wall, slight water lines, and bamboo stands for spatial depth. Naturally bright lighting. Features traditional Chinese zongzi, wrapped in bamboo leaves and hemp rope, triangular shape. Canon camera, epic details, high precision, ultra high definition extreme detail texture 8K. --ar 2:3 --v 6.0 --s 50 |
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/Imagine prompt Product photography featuring a large green square box with 28 small square boxes inside, placed on water with a mirror texture and fog layer. The background has a green wall, slight water lines, and bamboo stands. Naturally bright, rich light, central composition. Traditional Chinese zongzi, wrapped with hemp rope and bamboo leaves in a triangular shape. Shot with a Canon camera, epic details, high precision, ultra high definition extreme detail texture 8K. --ar 2:3 --v 6.0 --s 50 |
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你希望我們做什麼內容,歡迎告訴我們
可變式字型(variable font) 發佈於2016年,發佈至今,我們觀察到許多字型設計公司逐漸地發布自家的可變式字型,經過這幾年的推廣,最近我們從問卷調查上發現國內的設計師對這樣的產品仍然感到陌生,今天,我們藉由幾個演示,再一次讓大家認識可變式字型。
可變式字型的特色在於可隨使用者的設定或是依應用程式的自動判斷,變化出將近無限種的字體屬性組合。只需要一個字型檔案,就可以無間段調整該字型提供的字重、字寬或對比等可變屬性,讓設計師用字的創意不再受侷限,同時也減少了龐大字體家族所需要的大量記憶體空間。
不知道大家有沒有思考過一個問題,字體設計師都是在60公分距離前的螢幕做字體設計,使用時,有可能近到20公分,遠則超過5公尺以在使用的字體,這樣的應用情境,字體的設計如果都一樣,合理嗎?設計師如果在用字的時後,思考到這樣層次的問題,有沒有產品可以上設計師挑選使用呢?
通常在進行字型開發前先會決定使用目的,而在選用字型時,會依情境來選用造型,在使用明/宋體這類的字型時,通常橫向筆畫的粗細是固定的,在可變式字型裡,可以將橫向粗細的變化設計在可變式字型的變化軸上,使用者除了傳統的字重外,還可以使用到橫向筆畫(對比/Contrast)變化軸的調整。下方以文鼎書苑宋體書苑宋作為舉例,因應複雜化的使用情境,書苑宋設計了四個橫筆粗細的產品,為橫筆寬度16(EM Square =1000 ) 到62 的響應式設計,使用者可依據使用配方建議,從內文到標題,從紙本到屏幕,因應不同情境選取適當字型使用。
有個多個橫筆粗細對比這樣的產品,我們思考一下,如果在設計這樣的指示標示,怎麼樣可以讓閱讀訊息用的字體在畫面上呈現的更好呢?畫面上『南京三民站』這幾個字分別使用思源宋體(上)與文鼎書苑宋體(下)做展示,我們可以看到這五個字元筆畫數並不算多,但『三』這個字的筆畫相對起來特別少,整體看起來視覺灰度少了一級。
這時候如果我們要對他加粗,通常的作法就是在AI裡轉外框,加筆畫,但這樣一來,字就變成圖,不是字了,會增加後續版本維護的困擾。使用書苑宋可變式字型的微調後的成果,我們來看看調整前後的差別,經過適當的調整後,每個字元的視覺量感變得更平均了。
我們認為,設計師寶貴的時間應該要用在設計思考上,如果字體可以協助設計師解決問題,節省設計師的時間,那就是我們對設計產業的幫助。關於更多可變字型的資訊可參閱下方文鼎iFontCloud雲字庫的展示說明