由施隆民教授書寫的文鼎DC云康行楷，字型書寫旨在掌握書法的美感，筆法上以流暢、生動為原則；結構上為了排版印刷的美觀，盡量保持「端莊」的體態。云康行楷在設計時，加入中文排版裡「疊字」效果的巧思，施隆民教授在書寫時，特意創作「相同字的不同寫法」，以展現書法中「不雷同」「不重複」的美感，讓云康行楷更能呈現書法藝術的精神。此外，云康行楷提供了兩種不同書法風格作選擇，其中云康行楷碑帖版，藉由部首共用、改變寫法、增減筆畫等多方式，保留傳統書法運筆藝術之美。

本影片透過Adobe Illustrator來呈現云康行楷TrueType(TTF)與OpenType(OTF)兩個字型格式的使用方式，分別示範疊字的選用，以及中文常用全型符號調和設計(Proportional)。

應用設計

本期內容圍繞「端午節」為主題，提供字體應用上的參考

/Imagine prompt A high fashion photoshoot featuring traditional Chinese zongzi, made from dried green bamboo leaves and tied with hemp rope into triangular shapes, containing a salted egg yolk, glutinous rice, and a small piece of preserved pork, on a tea party table with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style incorporates schlieren photography and Anne Dewailly's techniques, with soft-focus portraits. The image is hyper-realistic, glamorous, insanely detailed, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0--s 50

/Imagine prompt A detailed and glamorous high fashion photoshoot of zongzi, traditional Chinese pack zongzi, on a table set out for a tea party with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt A detailed and glamorous high fashion photoshoot of zongzi, traditional Chinese pack zongzi, on a table set out for a tea party with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. -ar 2:3 --v 6.0 --s 50

/Imagine prompt A detailed and glamorous high fashion photoshoot of zongzi, traditional Chinese zongzi made from dried green bamboo leaves and tied with hemp rope into triangular shapes,on a table set out for a tea party with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt Glamorous high fashion photoshoot of traditional Chinese zongzi, made from dried green bamboo leaves, tied with hemp rope, containing salted egg yolk, glutinous rice, and preserved pork. Set on a table with a Tiffany blue tablecloth for a tea party. Inspired by Wes Anderson's vintage color palette, with schlieren photography and Anne Dewailly's work. Soft-focus portraits, hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt A detailed and glamorous high fashion photoshoot of traditional Chinese zongzi, made from dried green bamboo leaves and tied with hemp rope into triangular shapes, containing a salted egg yolk, glutinous rice, and a small piece of preserved pork, on a table set out for a tea party with a Tiffany blue tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt Detailed high fashion photoshoot of traditional Chinese zongzi, wrapped in dried green bamboo leaves and tied with hemp rope, containing salted egg yolk, glutinous rice, and preserved pork. Displayed on a tea party table with a Tiffany blue tablecloth. Inspired by vintage Wes Anderson color palette, using schlieren photography and Anne Dewailly's work. Soft-focus portraits, hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt Detailed high fashion photoshoot of traditional Chinese zongzi, wrapped in dried green bamboo leaves and tied with hemp rope, containing salted egg yolk, glutinous rice, and preserved pork. Displayed on a tea party table with a Tiffany blue tablecloth. Inspired by vintage Wes Anderson color palette, using schlieren photography and Anne Dewailly's work. Soft-focus portraits, hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt Detailed product photography of a large green square box with 28 embedded small square boxes, floating on water with a mirror-like texture and a layer of fog. Background includes a green wall, slight water lines, and bamboo stands for spatial depth. Naturally bright lighting. Features traditional Chinese zongzi, wrapped in bamboo leaves and hemp rope, triangular shape. Canon camera, epic details, high precision, ultra high definition extreme detail texture 8K. --ar 2:3 --v 6.0 --s 50

/Imagine prompt Product photography featuring a large green square box with 28 small square boxes inside, placed on water with a mirror texture and fog layer. The background has a green wall, slight water lines, and bamboo stands. Naturally bright, rich light, central composition. Traditional Chinese zongzi, wrapped with hemp rope and bamboo leaves in a triangular shape. Shot with a Canon camera, epic details, high precision, ultra high definition extreme detail texture 8K. --ar 2:3 --v 6.0 --s 50

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使用Microsoft Word做文書編輯是日常中再正常不過的一件事，但是將文件編寫完成後，做樣式、段落的排版後，想要輸出PDF檔，卻遇到本來該加粗的文句卻無法顯示粗體的困擾嗎？

這樣的情況有幾個事件可以做探討：

1. 使用Word提供的加粗功能是否合宜？
2. 在Word編輯後，轉存PDF的方式？

下圖是Word工具列截圖的畫面，本文說明的重點在「B」這個圖示「將文字變成粗體」的功能。在Word中使用「B」圖示做文字加粗為Word軟體中提供的功能，但此加粗是透過程式計算的方式，將文字做粗體的顯示，嚴謹來說，相信字體設計師一定不喜歡這樣的加粗效果，但這樣的功能有其一定方便性與經濟性(不用特別再買一個粗體字來做粗體效果)



透過程式計算機制的字體加粗效果，其在字元架構的美觀性遠不如經過設計師微調筆畫空間後的成果，若在講究文字排版細節時，我們會建議選擇同字體家族較粗的字型來自為字體加粗效果的選項。以文鼎字型的字重單位為例，若是使用Medium字重做為內文排版，則加粗效果的字重建議為Bold，若是使用Demibold字重做為內文排版，則加粗效果的字重建議為Extrabold，也就是跳一個字重單位的方式來做使用。


回到本文的問題，若在Word文件編輯後，使用另存新檔，執行儲存PDF檔案的動作後，卻發現原本該有的文字加粗效果在PDF文件重無法呈現？這是哪裡出了問題呢？

這與Word軟體的以及字體產品工程的設定有關係，在字體產品工程的設定中，有一個「OS/2 table / WeightClass」的設定，當字體在這個欄位的設定值與Word不一致時，就會出現在轉存PDF無法顯示字體加粗的效果，此時，若有訂閱Adobe的使用者，使用「儲存為Adobe PDF」或「列印成PDF」一樣無法解決文字加粗效果無法呈現的問題。

這樣的情況，根本的問題解決方式為文章上方所建議，透過使用相同造型的字體家族，選用較粗的字重來排版，以徹底解決文字無法加粗的困擾，並達到加粗後的字體有最佳的顯示效果。



附註：
Microsoft 對於PDF加粗的回應：Bold font is not shown in pdf output from word
Adobe對於PDF加粗的回應：One of my fonts not in bold when making a PDF