[ 文鼎 IN-HOUSE ]

本期內容圍繞「端午節」為主題，提供字體應用上的參考

/Imagine prompt                          A high fashion photoshoot featuring traditional Chinese zongzi, made from dried green bamboo leaves and tied with hemp rope into triangular shapes, containing a salted egg yolk, glutinous rice, and a small piece of preserved pork, on a tea party table with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style incorporates schlieren photography and Anne Dewailly's techniques, with soft-focus portraits. The image is hyper-realistic, glamorous, insanely detailed, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0--s 50

/Imagine prompt                          A detailed and glamorous high fashion photoshoot of zongzi, traditional Chinese pack zongzi, on a table set out for a tea party with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt                          A detailed and glamorous high fashion photoshoot of zongzi, traditional Chinese pack zongzi, on a table set out for a tea party with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. -ar 2:3 --v 6.0 --s 50

/Imagine prompt                          A detailed and glamorous high fashion photoshoot of zongzi, traditional Chinese zongzi made from dried green bamboo leaves and tied with hemp rope into triangular shapes,on a table set out for a tea party with a burnt orange tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt                          Glamorous high fashion photoshoot of traditional Chinese zongzi, made from dried green bamboo leaves, tied with hemp rope, containing salted egg yolk, glutinous rice, and preserved pork. Set on a table with a Tiffany blue tablecloth for a tea party. Inspired by Wes Anderson's vintage color palette, with schlieren photography and Anne Dewailly's work. Soft-focus portraits, hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt                          A detailed and glamorous high fashion photoshoot of traditional Chinese zongzi, made from dried green bamboo leaves and tied with hemp rope into triangular shapes, containing a salted egg yolk, glutinous rice, and a small piece of preserved pork, on a table set out for a tea party with a Tiffany blue tablecloth. The scene is inspired by a vintage Wes Anderson color palette. The style includes schlieren photography and Anne Dewailly's work, with soft-focus portraits. The image is hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt                          Detailed high fashion photoshoot of traditional Chinese zongzi, wrapped in dried green bamboo leaves and tied with hemp rope, containing salted egg yolk, glutinous rice, and preserved pork. Displayed on a tea party table with a Tiffany blue tablecloth. Inspired by vintage Wes Anderson color palette, using schlieren photography and Anne Dewailly's work. Soft-focus portraits, hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt                          Detailed high fashion photoshoot of traditional Chinese zongzi, wrapped in dried green bamboo leaves and tied with hemp rope, containing salted egg yolk, glutinous rice, and preserved pork. Displayed on a tea party table with a Tiffany blue tablecloth. Inspired by vintage Wes Anderson color palette, using schlieren photography and Anne Dewailly's work. Soft-focus portraits, hyper-realistic, 32k resolution, front view. Symmetry, raw, vogue. --ar 2:3 --v 6.0 --s 50

/Imagine prompt                          Detailed product photography of a large green square box with 28 embedded small square boxes, floating on water with a mirror-like texture and a layer of fog. Background includes a green wall, slight water lines, and bamboo stands for spatial depth. Naturally bright lighting. Features traditional Chinese zongzi, wrapped in bamboo leaves and hemp rope, triangular shape. Canon camera, epic details, high precision, ultra high definition extreme detail texture 8K. --ar 2:3 --v 6.0 --s 50

/Imagine prompt                          Product photography featuring a large green square box with 28 small square boxes inside, placed on water with a mirror texture and fog layer. The background has a green wall, slight water lines, and bamboo stands. Naturally bright, rich light, central composition. Traditional Chinese zongzi, wrapped with hemp rope and bamboo leaves in a triangular shape. Shot with a Canon camera, epic details, high precision, ultra high definition extreme detail texture 8K. --ar 2:3 --v 6.0 --s 50

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文鼎方新書立於黑體，保留黑體的簡練、穩重，融合明體的舒適、清雅，並以高規格審視標題用字之識別性、內文用字易讀性，期望帶給使用者最佳的使用體驗。文鼎方新書造型設計捨棄明體傳統點、捺造型，收筆如眉，清新盈盈，兼容字構的均衡平穩。

因橫直筆寬度的搭配及收筆縮減，文鼎方新書融合黑體和明體的優點，加上反覆雕琢視覺濃淡，排版視覺清晰不突兀。拓展Condensed 系列後，使方新書在排版的表現更為出色，提供使用者多元選擇。

本影片透過Adobe Illustrator來呈現方新書的使用方式，分別演示中文常用全型符號調和設計(Proportional)、長體Condensed家族、經過字元灰度調整後的方新書，使用在桃園機場第三航廈的介紹以及方新書的可變式字體(Variable Font)。

應用設計

在10年前，我們應該很難想到現在字體的使用，也會像聽音樂一樣，線上訂購、跨裝置、隨買隨用，目前，這樣的字體訂閱服務機制，可以讓使用者使用到大量的字體，而在選用字體的時後，各家服務機制都有提供簡易的篩選功能，使用者依據自身的需要，從上千套字體中快速的找到符合需求的字體造型來做使用。

在應用上，我們以幾個例子來演示字體加粗/粗體的使用建議。在Windows的使用環境中，文書處理的首選絕大多數想到應該是Microsoft Office系列的軟體，繪圖設計則是illustrator，這對於大多數的文書處理使用者、設計師來說，這絕對是一時之選。

但是，我們認為在這兩個軟體中，字體加粗的使用情境有一個可以增加字體閱讀舒視度的小方法，即是多字重、多橫筆粗度的字體應用彈性。下圖方框中的部分是Microsoft Word字體加粗的機制，一般來說，這是透過程式演算的機制產生出來的，對於中文漢字顯示效果的支援較差，在筆畫相對複雜的字元上，就會出現筆畫因空間過於接近而產生沾黏的現象，即便是專業的繪圖軟體illustrator，透過外框的機制也是呈現出不佳的視覺效果。

現在大部分的字體在開發設計時，多會以朝多字重的方向做規劃，這個情境下，就可發揮多字重字體的使用彈性了，以文鼎UD晶熙黑體為例，如果我們以Medium這個字重當作內文排版使用，那我們會建義需要做加粗的部分，可以往上跨一個粗度，即使用Bold作為加粗後字體呈現的選擇，以此類推，這是我們對於文鼎UD晶熙黑體在加粗屬性的建議，可以作為排版的使用參考。

另外，在明/宋體的造型上，我們以文鼎書苑宋Display字體家族做演示，字重相同為Heavy，文鼎書苑宋DisplayH16 Heavy的有著輕盈的視覺感受，如果我們需要一個加粗的效果，在Word使用Blod屬性或illustrator外框加粗，得到的都是一個暴力加粗的結果，如果我們嘗試選擇文鼎書苑宋DisplayH62 Heavy，我們依然得到一個加粗的效果，但與程式暴力加粗的效果對比，字體結構不至於變形，視覺感受也相對來的優雅起來。

多字重、多橫筆粗度字體家族的設計，能夠帶給設計師排版上的選用彈性，透過細膩的選用技巧，可以讓字體排版時不再受限於軟體的限制。